An award? Why, thank you!

Standard

Beautiful Blogger Award

Oh my word, my blog has been nominated for a second award! The delightful and hugely talented Kristina Pui has nominated Jumping From Cliffs for the Beautiful Blogger Award. “At last,” I thought, “someone who recognises that Clooney and I were separated at birth.” Then I realised it’s the blog which is regarded as beautiful, but that in no way lessened my joy and gratitude (not too much anyway.) I know many people are skeptical about awards, but I believe they’re a valuable means of showing appreciation to people who add something to your day and I truly appreciate it.

Now I have to nominate 5 other bloggers (easy) and tell you 5 beautiful/interesting things about myself (not so easy). I’ll give you my 5 fave bloggers first and then, down the bottom there, try and scrape together 5 facts that those with far too much time on their hands may find vaguely interesting/entertaining.

If I had to rank these ladies and gents in order of preference, they’d all be at Number One, but blog layout and physics won’t permit that, so here, in no particular order, are the Top 5:

Reader, I Wrote a Novel
This is my ‘must-read’ blog; a new post from the fabulous Holly Robinson always stops me in my tracks. Dry, self-deprecating humour from an extremely talented writer attempting to pen a novel in a year, whilst simultaneously having a life. Constantly entertaining, inspiring and wonderful. Get yourselves over there now for a peek. Thank you.

The Illustrious Peacock
The Illustrious Peacock has the self-styled mission of “bringing a touch of beautiful into everyday life.” And boy oh boy, does she succeed! Outstanding photography and high-concept design from an extraordinarily creative mind. This blog will brighten your day every time.

Catherine, Caffeinated
Living, breathing proof that you can get your work published. Catherine shares her insights, advice and expertise in a non-lecturing, massively readable style. And she knows exactly what she’s talking about. An invaluable stopping-off point (prepare to be stopped there for some time.)

Andrew Toynbee’s Very Own Blog
I’m nominating Andrew because he’s another writer who squeezes writing in during the spare moments inbetween the general madness of a hectic life. I think of these as “moments of beauty” in my day and I admire the way Andrew manages to find so many of them and keep focused.

K. J. Colt
Kylie Colt has a “restlessness in her heart” that drives her to write and I for one understand precisely how that feels. Short posts that crackle with energy and get straight to the point, re-affirming that you’re not the only aspiring scribe who sometimes struggles. More power to your pen K.J.

Now to the bit I’ve been dreading. I don’t write about me because I don’t like writing about me. I write about how I write and what I’ve learned and what inspires me. Anyone who’s interested in what I had for breakfast proooooobably isn’t someone I’d want to be following my blog… Anyhow, in deference to the nomination, here goes.

Thing 1: In previous phases of my life, I have been a juggler, a guitarist, a showjumper, a cross-country rider, an actor and a linguist. I still am some of these things, but haven’t been any of them professionally. The one thing I’ve always been in addition to all of these is a writer – even when I’ve not been practicing the craft. It is what I genuinely feel I was made to do and that I believe one day, somehow, I will do for a living. If not, I will retire to a hillside cottage in Sicily and live off the land whilst writing for fun. Truth.

Thing 2: I am Spiderman. As a kid, I was a humungous Spiderman fan. A couple of years ago, at the age of far-too-mature-to-be-reading-comics, I re-discovered the joy of the webslinger. Now, when faced with a challenge I don’t think I’m up to, or something I really dread doing, I remind myself that I’m Spiderman, knuckle down and get on with it. I’m nowhere near as geeky as that makes me sound.

Thing 3: I love rugby, cats and The Clash. And pirates. You have to love pirates.

Thing 4: Since my Dad developed Alzheimer’s a couple of years ago, I’ve vowed never to put off anything I want to do until ‘one day.’ All-too-often, one day never comes.

Thing 5: My novel (which I’m increasingly considering re-naming Jumping From Cliffs, instead of Dark Energies) is based on the true story of how I met my fiancée. Truth may not be stranger than fiction but it comes in a pretty close second.

So there you have it, 5 things about me. I’m chuffed to bits by the nomination and look forward to posting further writerly musings as soon as life returns to anything mildly approaching normal.

Familiarity breeds… more familiarity?

Standard

I noticed a word last night.

To be precise, I noticed a lot of them and far too many were the same.

Edit Number 4 (I have a far less polite name for it than that in private) of the novel is progressing at the pace of a wounded snail. I’m busily typing up the edits I made long-hand whilst sitting on trains to and from work.

It is tedious in the extreme. Oh boy, oh boy is it tedious. BUT (capitals, ‘cos this is important) it has taught me something fascinating.

I have words and phrases I over-use.

Last night, I discovered 34 instances of the word “familiar”.

34?!

3 of them occurred within 3 consecutive paragraphs.

That’s more than familiar, that’s positively intimate.

This realisation subsequently led on to a Sherlock Holmes-style investigation of exactly how such a heinous bludgeoning of the English language could have occurred. I like to think I have a broad vocabulary and I know lots and lots and lots of words. Some of them quite good ones. So why this insistence on one single variant?

I came up with two answers:

1)    I like things that are familiar. I’m not a big fan of change in general… yep, OK, whoa there! That’s true but this is not the place for psychoanalysis.

There’s a second, more writerly, solution:

2)    The novel has been written and edited in chunks over a long period of time. Like a jigsaw, pieces which have been hiding at the outset have been slotted in over the course of its evolution.

“So what, you slovenly abuser of vocab?” I hear you ask.

I’ve never, until now, read the whole book through from end-to-end with no gaps, omissions or chopping-up of the timeline. So I’ve never had the opportunity to hear the repetition until now.

Which means that this agonising 4th edit is actually one of the most important pieces of work I have ever done since I committed the opening sentence to paper all that time ago.

And that, boys and girls, is a massive relief that stops me heading off in search of a chocolate digestive and a duvet at this very moment. Onwards and upwards, to boldly hunt out other flagrant violations of my Mother tongue.

Do you have words or phrases that you find cropping up time and time again without you realising? And how do you write – are you structured or random?

Do tell…

6 Sentence Sunday

Standard

OK, let me be the first to point out that it’s not Sunday. Not yet anyway. Although if you’re reading this on Sunday it will be…

I only came across 6 Sentence Sunday recently, but the idea is that you share 6 sentences from your work (whether in progress or completed) which will then go live over at http://www.sixsunday.com on – yep, you guessed it – Sunday.

It’s the first time I’ve taken part in this, so here goes. Please find below, for your delight and delectation, the first 6 sentences of my novel-in-draft. It may be called Dark Energies or it may be called Jumping From Cliffs. I’ll let my audience decide once the time comes. I hope you enjoy them. Please feel free to comment if you do; or even if you don’t.

Edward Stretton somehow knew that neither he, nor anyone else, would ever see his wife again.

He replaced the bottle-green handset in its cradle and ran his hand once again over the empty space on the sideboard. A hazy rectangle of dark walnut stood out feather-edged against the sun-lightened surface surrounding it, the only indication of what no longer stood there. A light residue of polish coated his fingertips as they stroked rhythmically back and forth across the absence, as if he were stroking the hair of a child recently woken from a nightmare. He paused and inspected the powdery coating for a second, his mind a thousand miles away, before wiping it on the sleeve of his suit jacket and picking up the receiver once more.

With a slender forefinger, he turned the clear plastic dial until it stopped against the metal fingerpiece, then listened to the clicking as it ratcheted back to its starting position.

Any readers who have previously perused the post Sneak Peek will recognise these as the start of the Prologue. There’s one subtle difference however: this is from the edited, revised, adjective-light version which entered the world following feedback from all the lovely people who reviewed the original for me.

As soon as the final edit of the MS is complete, I shall be posting more. You have been warned.

In the meantime, I shall leave you in suspense…

Should I?

Standard

I have been ‘sort-of’ challenged to take part in NaNoWriMo (you know who you are!)

Anyone who’s read my post It’s About Time will appreciate the combination of excitement and abject fear this causes me.

1200 words a day??

How I’d love to. But there’s also work, cleaning, family, moving house (again), cooking, cleaning, eating, washing, ironing.. aaaaarrrggghhhh!!

I guess I could give up sleeping for 6 hours a night but, hey, everyone’s entitled to one luxury right?

Do I? Or don’t I?

Now You See It…

Standard

…and very soon you won’t.

A book written in disappearing ink? It sounds like the stuff of childhood spy fantasies but now it’s all come true.

Which of us didn’t spend hours writing notes using lemon juice or top-secret kits purchased with our hard-earned pocket money from the ads in the back pages of the comics? I know I certainly did… before I discovered girls obviously.

Now, “The Book That Cannot Wait” (El Libro Que No Puede Esperar) has come along as an extraordinary writing/art concept. From the day the book is opened, you have two months to read it before the words vanish irrevocably.

You can read all about it in this article at Springwise – but be quick ;o)

Oh, and check out that cover too – I love it.

Step Away From the Biscuits!

Standard

The Joy of Writing

Ah, the blank slate.

The freedom. The possibilities.

The abject blinding terror…

Sitting with a blank sheaf of paper (or virginal Word document) before you, you have the boundless liberty to let your mind and words run free. You have the opportunity to conjure up undreamt-of landscapes populated with captivating characters, enthralling events and plots so twisty and turny that Machiavelli himself would weep to read them.

 

At this stage, the temptation to throw it all in and hide under the duvet with a packet of chocolate digestives is virtually overwhelming.

What should I write? Who should I write about? What’s going to happen? Will anyone read it? Why am I doing this? Why did I ever want to be a writer in the first place, oh Lord help me! Time for a biscuit…

The pressure of a blank slate needing to be filled is one that all of us writers encounter at one time or another. But we impose it upon ourselves. And you know what? It’s completely invented. Writer’s block doesn’t exist.

That’s right, you heard me correctly; writer’s block doesn’t exist.

Harking back to my previous post on taming writer’s block, I’d like to re-state the wonderful advice from Maya Angelou:

What I try to do is write… And then it’s as if the muse is convinced that I’m serious and says ‘Okay. Okay. I’ll come.’

Unless someone’s taped your fingers together with duct tape overnight, you can still write. Your imagination may have booked a package tour of Merthyr Tydfil for a few days, but that shouldn’t stop you from writing. So abandon all thoughts of cowering under the duvet and just write.

Write anything.

Slay the dragon of the blank slate with the sword of words (if you’ll excuse a mangled metaphor).

Write about what you had for breakfast, write about the colour of your socks, write about the wall you’re staring at with inspiration-free perspiration dripping from your forehead, or just write the word ‘badger’ 73 times. Then it’s no longer a blank piece of paper. That’s Step One. Huzzah!

Now carry on writing, don’t stop, don’t ever stop. It doesn’t matter if what you’re committing to paper is gibberish, you’ll find the groove as long as you carry on. It doesn’t have to be the next chapter of the novel, the next stanza of the poem, it doesn’t have to be the same characters or genre or even, Heaven forbid, of any great quality.

Start turning your account of breakfast into an account of the final breakfast recalled by an aristocrat huddled in a tumbril, awaiting his turn at the guillotine.

Morph the colour of your socks into the colour of the moon over Ganymede piercing the green-black gloom of night whilst below the surface, hideous beings toil in the depths of labyrinthine drone-mines.

Or the blank wall instantaneously transformed from a cracked and peeling canvas of magnolia by the livid crimson slash as the assassin’s bullet hits home, piercing the diplomat’s temple, taking with it fragments of skull and brain matter…

The instant you start putting words down, there’s no more blank slate and no such thing as writer’s block. The slight tremor of panic I felt 400-odd words ago at the blank slate which has become this post has morphed into a burning desire to carry on adding words to all those story openings. And I don’t even LIKE historical fiction. Or Sci-Fi. OK, so none of those lines are great quality or jaw-droppingly inventive, but they’ve kick-started a process and got me warmed up. Time now to head back to Dark Energies and apply that creativity to wherever it was that Dan and Kate were stranded when I last left off.

The only thing stopping you writing is you. Get over it. Stop worrying if it’s going to be good enough. It never will be if you don’t write it. Sure, you’ll throw a lot of it away, you’ll change a lot of it and only some will make the final cut.

But at least you’ll be doing what you’ve told yourself all along you wanted to do more than anything else in the world.

So just write.

Maybe get yourself a biscuit while you’re at it.

After all, what’s stopping you?

A Lesson From Narnia

Standard

Thanks everyone, there was some great feedback on the first look at Dark Energies. And by “great”, I don’t mean everyone told me how amazing it is and what a genius I am. Although to those of you who did say just that, I love you more than cake. And boy, do I love cake.

No, by “great” I mean comments that have genuinely, within the space of 24 hours, helped shape the way the next edit of the first draft is going to go. As I’m right at the start of that process, the timing couldn’t have been better; it’s saved me a massive amount of re-work later.

Two key points were made a number of times and they bring me to the real point of today’s post. Make sure you can always see the wood for the trees.

As an “indie” author (yes, it’s National Quote Mark Day) there’s no input from an agent, editor or publisher to tell you where you’re going wrong. You write away day in, day out and it can be all too easy to get on a roll and stick with it. Sometimes that works, other times it leads you off on a dangerous tangent. One thing I’m learning is to always maintain a level of objectivity. To step back and see your work through the eyes of your readers.

Of course when you’re actually putting words down on paper (I write longhand most of the time and type it up later) you need the subjective immersion in what you’re writing. You have to be there, right in the scene, hearing it, smelling it, tasting it. Living it. Otherwise it won’t live for your readers.

But.

When you hit the editing stage, pull yourself away from the world and imagine you’ve just spent money on a book. A prime example from yesterday is the over-use of adjectives. Clearly, when I wrote the prologue, I was in a descriptive frame of mind. Very likely influenced by whatever I’d most recently been reading. I obviously thought “Wow, I don’t use enough description. Better throw some more adjectives at it!” Either that or I was just in a wordy frame of mind, which isn’t uncommon for me.

Hence, everything got described in minute detail, which had the knock-on effect of slowing down the pace of what should be a driving scene. It took peer reviews to point that out. Even re-reading my own work, I was pulled back to the place, time, situation, emotion, whatever, of when I wrote it. Objectivity took a back seat and the writing suffered as a result.

Which, I guess, is a long way of saying, immerse yourself in writing but make sure you’re towelled off, changed out of your trunks and sipping a hot cappuccino before you start editing.

All of which was encapsulated far more succinctly by C.S. Lewis in this letter: C. S. Lewis on Writing

Sneak peek…

Standard

OK, enough introductory rumination on inspiration for now; time to get to the sharp end of things. Here, without further ado but with much trepidation, is the exclusive first look at my new novel Dark Energies. It’s part first chapter, part prologue.

It’s quite terrifying putting work on public display for the first time and I’d be delighted to get any feedback from you lovely people out there. If you’d care to leave any views, thoughts, opinions in the comments box waaaay down there at the bottom of the post, that would be utterly splendid! Thank you.

******

                Edward Stretton somehow knew that neither he, nor anyone else, would ever see his wife again.

                Replacing the bottle-green handset slowly in its cradle, he ran his hand once again over the empty space on the sideboard. A hazy rectangle of dark walnut stood out feather-edged against the paler sun-lightened surface surrounding it, the only remaining indication of what no longer stood there. A light residue of polish coated his fingertips as they stroked rhythmically back and forth across the absence, as if he were stroking the hair of a child recently woken from a nightmare. He paused and inspected the powdery white coating for a second, his mind a thousand miles away, before wiping his fingers on the sleeve of his suit jacket and picking up the receiver once more.

                He placed a slender forefinger in the clear plastic dial and turned it until it stopped against the curved metal fingerpiece, before removing it and hearing the clicking of the dial as it ratcheted back to its starting position. Repeating the exercise, he dialled a further two digits, then abruptly changed his mind and placed the receiver back down in the cradle once more. For a full minute he stood motionless, save for the renewed to-and-fro sweep of his hand across the dark patch on the gleaming surface.

                The first call had come shortly after three-thirty that afternoon. A single square of white light had illuminated in the two thin rows of buttons adorning the black plastic console in front of him on the desk. Settling back into the padded leather of the chair, his back to the windows facing out over the rumble and bustle of Piccadilly Circus, he had answered in his customary jocular manner, prepared to field what would undoubtedly reveal itself be yet another pitch from yet another ambitious young advertising executive starting out on the path to his future. The same overly-familiar tone of address, the same routine patter honed over innumerable previous pitches, the same keenness to succeed that they all shared; despite the frequency with which Edward received such calls, he couldn’t help but admire these youngsters. They reminded him, inevitably, of a younger version of himself. Lifting the receiver, he smiled a smile which coalesced gradually into a thin hard line as he listened to the sombre inflections of the clipped voice at the other end of the crackling line. The russet touch of a fortnight recently spent constructing sandcastles on the South Coast leached from his face as the voice delivered its unexpected and unwelcome message. At the conclusion of the call barely five minutes later, he snatched his coat and hat from the coat-stand nestled behind the door and walked briskly from the office and out through the vestibule without a word. Emerging onto a street light by the low golden light of a late autumn afternoon, the air heavy with exhaust fumes from the snarling traffic, his composure finally gave and he broke into a run toward the nearest tube station.

                Now, two hours later, beside another telephone, still without answers and no closer to any form of explanation, he gradually let his fingers come to rest in the space where, for the past eleven years, a wedding photograph had stood. With the sombre inevitability of a condemned man approaching the gallows, he turned from the aborted phone call to face the living room. From the far corner, an over-sized rectangular television in a matching walnut cabinet flickered mute images, the volume knob turned down to zero. On the screen, a small brown bear in a blue duffel-coat clambered with difficulty into the back of a taxi with his newly-found cardboard cut-out family, en-route to a life of benignly catastrophic adventures. He watched in silence for several seconds, his glazed eyes registering little beyond the jerky movements as the bear manhandled a battered brown suitcase into the back seat.

                Some unanticipated neural connection snapped him from his stupor and, with a renewed sense of purpose, he strode across the living room and yanked open the door to the hallway. Kettle drum footfalls resounded up the stairs two at a time, reverberating through the wafer-thin walls and filling the house with distant thunder. In seven strides he reached the landing, his heart pounding with exertion and foreboding. He crossed the bedroom at a jog and threw back the veneered plywood sliding door to the wardrobe. Plastic casters rattled in their warped metal runners and the door hit the end-board with enough force to dislodge it from its fixings.

                The empty hangers retained the ghosts of the clothes so recently removed from them. His face fell as hope dissipated, a numb fear seeping in to fill the vacuum it left in its wake. More absences which served to make the former presence all the more apparent. He rushed to the dresser, pulling open drawer after drawer with trembling hands, revealing only further emptiness. Even the books were gone, dark spaces in-between his own books still standing on the shelves showing where their colourful spines had been. Futility drained the sudden injection of energy from Edward’s body and he sank down heavily on the bed. He surveyed the forlorn scene once more, then hauled himself with unbearable weariness to his feet and trudged from the bedroom. Crossing the threshold, one hand absently brushed the space on the back of the door where a dressing gown should have hung.

                The television was still silent as he passed through the living room, head bowed, eyes fixed to the pattern of amber and green swirls on the carpet. Black and white linoleum tiles took the place of shag pile. A discordant clatter echoed in the silence as he retrieved a still-damp tumbler from amongst the crockery stacked in a haphazard pile on the draining board beside the sink. In a cupboard beside the gas cooker he found a bottle of cheap brandy; cooking quality but it would do. He half-filled the tumbler, pulled one of four ladder-backed chairs from around the family-sized kitchen table and lowered himself down onto it. Draining half the tumbler in one draught, he laid his head on his arms and, for the first time in many years, wept. His shoulders convulsed spastically as sobs sputtered out of him; hot salty tears made tracks through the dark hair of his forearms and pooled on the scratched tabletop.

                From the cushioned depths of a burgundy velour armchair opposite the television an eight-year-old girl clutched a stuffed rabbit to her face, pale green eyes peering from between the comfort of its ears as she watched her father through the open doorway. The rabbit’s head grew damp as her own tears soaked into its synthetic fur in time with her father’s laments.

Soooo… there you have it. Thoughts? Good? Bad? Indifferent? Feedback from potential readers is the most important validation for any writer in my opinion, particularly in the Golden Age of Self-Publishing, so I’d be genuinely keen to hear what you think.

Until next time…

In the beginning…

Standard

This is a blog about a book.

No, scratch that.

This is a blog about a journey and the search for inspiration.

Yes, that’s a much grander opening, good.

Around the age of 7 (or thereabouts) I decided I had to write a book. A little over 3 decades later I’ve finally gone and done it. That was the first part of the journey (more of that later). Now the journey to publish it begins.

Along the way I’ve been inspired – as every writer surely should be – by many different people and things. I wanted to share them here to inspire other would-be first-time writers. Then I realised, what the hell, they can inspire anyone, writer or non. Writing brings up many valuable lessons on life (OK, that sounds pretty hippy-dippy self-help, but stick with me, it gets better…)

I also hope to share some of what I’ve learned (and still am learning) about the process of writing, again in the hope that it will be of use to others. It’s one thing to read advice in books or on blogs by accredited authors, but there’s often a niggling feeling of “easy for you to say Mr/Mrs/Ms Published!” Within these posts, I’ll share what actually worked for me. Whether it works for you, only you can find out.

Like the bemused anti-hero protagonist at the outset of Dark Energies (that’s the book folks, much more of that later too) I don’t know precisely where this journey will end. But it’s a decent bet there’ll be excitement, despair, hope, false hopes, elation and a significant amount of utter blind confusion along the way.

If you’re lucky, there may even be some laughs en-route as well. I’m hoping you’ll stick around to find out.