The Twilight Zone (or “A Tale Of Weirdness”)

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I met another writer the other evening.

He was a generally affable chap, if somewhat over-fond of the sound of his own voice. Fair enough though, I’m sure most of us are prone to waxing lyrical about our literary endeavours after a glass or two of falling-down juice.

For around half an hour, we had a pleasant (if rather one-sided) and wide-ranging conversation in which we most eruditely expounded upon the great literary topics of our enlightened age.

The obligatory and ubiquitous themes of: “Whither traditional publishing in the age of the ‘indie’ self-publisher?”, “Is a professional editor a necessity?” and “Don’t get me started on Fifty Shades of Mummy-Porn Tosh” were debated, discussed and deliberated.

Then it got weird.

No, that doesn’t quite do it justice.

Then it got WEIRD.

That’s better. Add your own wavery elongated vowels in the middle and it’ll be even closer to the mark.

I chanced to ask the chap’s opinion on eReaders versus lovely papery ink-smelling books with pictures on the front. As usual, I prefaced the question with the fact that, until someone creates an eReader that smells like a book, I’m sticking with books. Nothing against eReaders, you understand, just a personal preference.

In the space of a nano-second, the affable would-be author standing before me transmogrified into a wild-eyed, slavering beast, his unruly hair billowing manically like the unfurled sails of a galleon in a typhoon. He stared at me in horror, as if I had somehow metamorphosed, Gregor Samsa-like, into a 6-foot beetle with the sole intention of devouring his children.

“You cannot,” he bellowed, saliva whirling globbily across the room with the force of his insanity, “be a writer today unless you read on an eReader!!”

I understood the individual words, the syntax and the grammar, but combined in that particular order, they made as much sense as if he had claimed: “You cannot ride a zebra unless you have a goldfish bowl.”

Mopping myself down with a handkerchief, I attempted to clarify matters. Did he, perhaps mean that it is imperative that one releases an eBook version? That I would agree with. Could it be that he was alluding to the necessity of understanding how to technically format a novel for the medium? Again, total agreement on my part.

But no, dear readers, far from it. Once more he raved, equally forcefully and with added twitching.

“You cannot be a writer if you do not read on an eReader!!” His hands furled into fists of rage and a vein in his forehead began to throb in a most alarming manner.

At this point I remembered an entirely fictitious train I was about to miss, made my excuses and left, using the same trying-not-to-run motion employed by anyone walking down a dark alley in the early hours telling themselves that werewolves don’t actually exist.

Is it just me?

As far as I’m concerned, it’s the words that matter. The medium of delivery is secondary, surely? Write them on paper, project them on the wall, scratch them in sand or train starlings to arrange themselves in formation across an azure sky.

The words we use and the world, the emotions, the truths they conjure up in a reader’s imagination is the first, the only, the be-all-and-end-all to a writer’s purpose. To subjugate that to the vehicle used to impart the words is, I would contend, a heinous triumph of form over content.

I would love to know your views. Does he have a point? Am I simply a Luddite? Am I missing something?

Not the thumbscrews!

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Writer meeting agent

Hello gang, remember me?

It’s been almost two months since my last post, due to an unfortunate boatload of Crazy that beached at my door. Not only has it kept me from this fine endeavour, it has also entirely scuppered my New Year’s resolution of writing every day.

Ah well, c’est la vie I suppose. Anyway, back now and I have some exciting news.

Thanks to the wonderful crew at Authoright I have secured a 15-minute slot to pitch my first novel to a literary agent at the London Book Fair!!

I am extremely excited.

And not a little terrified.

A real-life fire-breathing literary agent, with the terrible fangs and horns and everything.

What on Earth am I going to say?? 15 minutes? I can barely talk about the book for 15 seconds without tripping over my own syntax. And that’s when I’m not quaking in fear at the potentially life-changing opportunity sitting before me mopping my fetid sweat off their desk with a fine damask handkerchief.

Being the well-versed bunch that you are, I’m sure you must have some tips to impart on… well… anything about what to say in a pitch! Anyone??

Wait… How Many??

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You mean to say you read the whole thing?

You mean to say you read the whole thing?

I stumbled upon this rather wonderful list today and was slightly shocked by how few I have actually read.

The 100 Greatest Novels Of All Time

My tally is 22.

Well, 21-and-a-half if I’m truthful. I’m ashamed to say I gave up on Moby Dick during one of the more turgid religious tracts. Or was it the 12-page description of the interior of a Massachussets chum-bucket? I forget.

What’s your score dear readers?

The Next Big Thing

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Way back at the start of December (where does the time go??), I was very kindly tagged in the Next Big Thing blog hop by Kristina over at The Bitter Sweet.

I’ve mentioned before that, whilst I’m always hugely honoured to be nominated for blog awards, blog hops and so on, I tend to pick and choose between the ones I take up, simply because many of them are about the blogger as a person rather than their work. I don’t want to use this blog as a forum to chunter on about what style of cravat I favour or the number of times I’ve been mistaken for Margaret Thatcher. It’s about writing, publishing and all that jazz.

That’s why I love TNBT – it’s a series of questions about a writer’s latest work, plus the opportunity to showcase other writers they admire. So here we go…

What is the working title of your book? Originally it was “Dark Energies”, but I feel that mis-represents the story and sounds too sci-fi. So I changed it to “Jumping From Cliffs” and I’m not comfortable with that either. So it’s back to “Dark Energies” as a working title for now.

What genre does your book fall under? It doesn’t really fall neatly into any single genre and, like many ‘new’ writers, I’m wary of getting pigeon-holed and missing out on a part of my potential audience, so I describe it in one of two ways:

A contemporary urban mystery

or

A quantum love story

One day I’ll combine those into a genre which takes less than 45 minutes to elaborate on.

What is the one sentence synopsis of your book? I wrote a really good one and then sort of lost it somewhere in the Internet. Hang on, I’ll have a rummage… Ah, there it was, down behind the virtual sofa (of course!)

Dan Carver is a man in his mid-thirties, in a relationship that is going nowhere and is looking for something to fill the gap in his existence. When he finds it, in the form of an unexpected contact from a mysterious stranger on a social network, it will prove to tear apart everything he thought he knew about reality…

Technically two sentences thanks to that full stop bang in the middle, but you get the gist.

Where did you get the idea for your book? From real life. Sitting at home one wet, grey, miserable March Monday, I logged into Facebook and hey presto, there was a ‘poke’ from a complete stranger. This was back in the days when you could still friend-surf before FB sorted out its privacy settings. There was just the poke and a profile picture of the most beautiful and intrigue-filled pair of eyes I had ever seen. I decided to reply…

Who or what inspired you to write this book? My muse, also known as the beautiful stranger who Facebooked me on that extraordinary evening almost 5 years ago.

How long did it take you to write the first draft of your manuscript? It took almost four years to reach a full first draft with no gaps. As so many other aspiring authors find, it can be impossible to get enough time to write, what with daily life happening all around you and the need to pay bills while you scribble your thoughts down.

What other books would you compare this story with in your genre? Wow, that’s a good one. I’d love to compare it to the work of Iain Banks (not his Iain M. Banks sci-fi novels, the ‘normal’ ones…) But that would imply I have an over-inflated sense of my own talent and give everyone just cause to point at me and laugh. Still, the mix of real-world characters and situations with an undertone of mystery and darkness is what I’m aspiring to, which is why I draw the comparison.

Which actors would you choose to play your characters in a movie rendition? Oh, I’m so rubbish at knowing who’s who in the film world these days. I’d go with a young Richard E. Grant for Dan, the male lead in the book. Bizarrely, I’d have to choose Nigella Lawson for Kate, the mysterious stranger who leads Dan into a world he never imagined existed. Yes, I know Nigella’s not an actor, but she has the right kind of look and character. And as I said, I am really terribly ignorant of current film stars – I think I get so wrapped up in the story that I just see them as the characters rather than actors. Failing the two above, could I maybe choose Bogart and Bacall??

Will your book be self-published or represented by an agency? In an ideal world it would be represented by an agency. However, given the current climate and the agony of going the traditional route, probably self-published. My day-job that pays the bills is digital marketing, so I figure if I can market someone else’s products I should be able to market my own book, right?

What else about your book might pique your reader’s interest? It contains a cat who can be in two places at the same time…

And now it’s time to play tag… I’m sure some of these wonderful people will have been tagged already but they inspire, entertain and motivate me on a daily basis, hence their inclusion. And if I haven’t included you, please accept my sincere apologies, I’m only allowed 5!

Andrew Toynbee: Andrew Toynbee’s Very Own Blog
Nicole Bross: Unravelling My Mind
Kisa Whipkey: Nightwolf’s Corner
Kurt R.A. Giambastiani: Seattle Author
Pat Wood: patwoodblogging

I hope you get as much pleasure from their work as I do – the connections I’ve made so far in my journey through the depths of the blogosphere have been of inestimable value to my writing. I look forward to encountering more of you in due course…

The Doldrums

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Give us a leg-up anyone?

Give us a leg-up anyone?

In case you were wondering (how very kind of you…), yes I’m still here!

Hello again. *waves*

I haven’t blogged for almost a month – exactly the same length of time for which I have written not one word of the new novel. And I’ve been wondering why.

Somehow, I simply haven’t had the words. I ran out of things to say. The whole process of attempting to get the first novel published – either by a proper commercial publisher or self-published – seems so daunting once you have a manuscript and a huge mountain in front of you that it kind of knocked the wind from my sails. Added to which, now the book’s written, I’ve managed to convince myself it’s not very good. Self-doubt and self-ambush rolled into one. There’s too much ‘self’ with us lot isn’t there?

OK, so people keep telling me it IS good, but I’ve stalled and prevaricated over writing a query letter and trying to make the synopsis sound any better. There’s a whole post over there in the archive about the trauma of writing a synopsis, if you’re interested. I found it a hideous task and one which was instrumental in making me think: “Is the book really about that?? Oh God. How mundane.”

However.

I’ve just been tagged in The Next Big Thing blog-hop by the fabulous Kristina (thank you!). Reading her post about her novel helped me understand that we all feel this way about our writing sometimes.

I think, for me, it was an almost post-ecstatic lull; finally achieving something you’ve wanted to do all your life is a pretty major event really, isn’t it? Oh yes it is (gearing up for panto season there…)

After that, it’s only natural to feel a sense of loss and disappointment, even with a new project to move onto. And there’s the added bitter twinge of “So what’s it all for anyway?” Why start a second novel if I don’t know what to do with the first? There are only so many drawers in my house and I need some of them for things other than unpublished manuscripts. Like forks. And string. And the little plastic hooks they use to fix telephone wires to the skirting board.

It’s time for a kick up the bum I think. A very good friend and extraordinarily talented writer is reviewing the MS for me. I know he’ll rip whole chapters to shreds in order to improve it, but I’m determined to take that in the constructive sense in which it’s meant. I’m also going to revisit the synopsis and make it sound as mysterious, enticing and thought-provoking as the novel itself genuinely is.

That’s the first couple of foothills conquered right there. The push to the summit is on.

As my SatNav declares – in the voice of the indomitable Brian Blessed – every time I reach my destination: “Onward and upward! To Everest next and then the North Pole!!”

I think I’m back.

I’ll Make This Brief

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Goodness gracious me, I thought writing a title was hard work.

You’ll recall me complaining about that last week no doubt. No? In that case, it’s over here (but come back soon).

Having (almost) come up with a working title that works, then changed it again, changed it back, gone back to the original title, then broken down sobbing and shaking uncontrollably, screaming “It’s only a few words!! How can it be so HARD??”, I asked Delightful Other Half for help. She came up with a stormer straight away.

So, one more trauma safely behind me, I launched straight into the synopsis.

Oh dear Lord, the synopsis. Is this some evil ruse by agents to weed out writers who don’t have what it takes to survive an SAS training regime followed by several months of being locked in a coal bunker?

I’ve already written the damn book and now you want me to write it again, only shorter? Shorter, but containing all the same information and emotion?? What kind of twisted sadists are you lot?

And if I don’t get it absolutely spot-on, you won’t even get as far as taking a teeny little peek-ette at the other 85,000 words I’ve toiled for four years over?

How about if I just stick a whole wodge of tenners to a sheet of A4 and we’ll call that your motivation to read the book?

Pretty please?

**Gratuitous over-use of question marks in this post should be excused on the grounds of synopsis psychosis**

Write Drunk, Edit Sober

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A few days ago, this wonderful infographic popped into my Inbox (I do love a good infographic!)

While it’s ostensibly focused on copywriting, it contains some fabulous advice for writers of all kinds and some even more fabulous quotes from renowned authors.

Amongst them is the one and only definition which has ever clearly defined for me the old adage “show, don’t tell”:

Don’t tell me the moon is shining; show me the glint of light on broken glass.

That’s from none other than Anton Chekhov, so I’m taking it to be pretty authoritative!

It also contains a lovely section on Productive Tactics, dishing out some cracking advice to help the writer stride over the seemingly-insurmountable hurdles with which we all come face-to-face at one time or another. A particular favourite is:

Write drunk, edit sober.

I do this fairly often, which probably tells you a whole host of badness about me. But it really does work. The first few paragraphs are invariably dry and stilted as I struggle to chase my fleeing muse around the room. Just as invariably, the work slides gracefully into outlandish gibberish as my alcohol tolerance level is reached. But in the middle there, at the point where the inhibitions are loosened and the muse perches coquettishly upon my knee, there’s some really good, free-flowing writing which is not only good in itself, but raises ideas and concepts worthy of further development.

There are far too many other gems in here for writers of all ilks – if you’ve never written an ilk, give it a go – to be able to summarise with any justice, so you’ll just have to read it for yourself. It’s lengthy, but very worthwhile. Trust me, I’ve written a novel.

My parting shot for today is from the unspeakably wonderful Ray Bradbury, making a long-overdue repeat appearance on these pages:

Quantity produces quality. If you only write a few things, you’re doomed.

Pass me a pen, several reams of paper and a bottle of Cabernet Sauvignon, it’s time to get to work!!

What’s In A Name?

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My first novel runs to 86,500 words, give or take a few. That’s 86,500 words that I wrote myself, all out of my own head. And that’s quite a lot of words.

So why am I finding it so hard to come up with a couple more for a title??

For a long while in its youth, the novel was called Dark Energies. I still think that’s a strong title, but fear it sounds a bit too sci-fi. I don’t want to end up on the wrong shelf, do I? Incidentally, that’s a whole other debate – the book is fiction and deals with themes of quantum physics, so in a very literal sense it is a bit sci-fi. But it’s mostly a contemporary urban love story with a twist and a mighty helping of mystery thrown in.

For a shorter period – one week to be precise – it became Jumping From Cliffs. That works for a blog, but doesn’t work for a book. I kept asking myself “would I want to read a book called Jumping From Cliffs?”

The answer was “only if I were considering suicide but couldn’t work out how to do it.”

For ten minutes I dallied with Façades but had an overwhelming urge to punch myself in the face at the pretentiousness of it. Plus, it’s rather Jilly Cooper-esque. And that’s never a good thing.

So here I am, metaphorically sitting on 86,500 words of manuscript, without a name to its name.

Surely a few words can’t be that difficult?

At this rate it’s going to be called A Story About Some People Who Do Things.

So tell me friends, how do you come up with your titles?

And That’s A Wrap!

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Oh no it's not!

I have finished my first novel.

I can scarcely believe I’m writing those words…

After four years, numerous drafts and countless hours of editing, the final changes went in on Saturday afternoon. I now, for the very first time,  have a completed manuscript that I’m happy for people to read.

A dream that I’ve harboured since the age of 7 has been fulfilled.

*happy face*

Amongst those upon whom I’m happy to inflict this 86,000-word tome are, of course, a select group of what I’m increasingly seeing referred to as beta-readers (a term a little too software-geeky for my liking). I shall call them guinea-pigs!

Is the book perfect? I doubt it. As one of the characters says: “Perfection doesn’t exist.” Will the GPs come back with changes, plot-holes, character defects, story suggestions? Undoubtedly. And I very much hope they do, so that I can be aware of the shortcomings as well as elated about the achievement.

The fact that it may not be perfect isn’t going to prevent me sending it to the other group of guinea-pigs though. Agents and/or publishers.

And therein lies the secondary source of immense excitement… I have a manuscript that I’m ready to send out to seek a publisher! And that’s something I could hardly have imagined 4 years ago. How my baby will fare out in the big wide world is anyone’s guess. I’m prepared (on the outside at least, sensitive little soul that I am) for rejection, rebuttal and possibly even being totally ignored.

But hey, if that happens, I have a Plan B don’t I? Why, of course. Self-publishing.

The more I see the growing army of talented writers out there (yes, that includes you, and you, and especially you) who are self-publishing, the more I believe a tipping-point has been reached. There is a whole new route to readers.

After all, one man’s reject is another’s bedside-table page-turner.

It’s far from the end my friends, this is just the beginning!

Care to join me on the journey friends and see how Jumping From Cliffs – for that is its name, having been re-christened from Dark Energies a couple of months ago – gets on in its quest to grace the shelves of a bookshop? I do hope so, you’ve all been bloomin’ marvellous so far!

Are you in?

Dreams of Scenes and Time Machines

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At 5:10am I found myself awake, with phone in hand, tapping out a note while my Other Half snoozed happily away beside me.

Nope, not an illicit text to my oddly-named and entirely imaginary mistress, Raspberry.

The outline for the start of Novel Number 3! Let’s ignore, for now, the fact that I haven’t yet finished editing Novel Number 1 and already have an outline for the start of Novel Number 2.

Nothing quite like setting yourself a challenge is there?!

Like Martin Luther King, I had a dream. This one had nothing to do with equal rights or freedom or any of those important things though. What it had in their place was suspense. I dreamt a scene so vivid and so compelling that when I woke I was desperate to know what happened next. It was like watching the start of a film only to have your Sky box blow up after the first 3 minutes.

“How?” I thought. “How do I find out what happens next?” (That was after I thought “What the hell am I doing awake at 5:10am?” and “Bleeeecchhh”, which is generally my first conscious thought of the day.)

I knew there and then that the only way to find out what happened would be to write the thing. So I scrawled down the events of the dream, as best my groggy fingers would allow, hoping to bottle the sensations and emotions for future use. I think I succeeded, because it’s still with me and I still want to find out what happens.

And you know what? This one is going to push me to a place I’ve never been. The Land Of Planning.

*gasp*

The back-story to the dramatic opening will come from a cast of characters unveiling their pasts and their connections with the lead character. Some will be reflective, looking back from now; some will be in flashback, taking the reader back to the time when the events occur. And there’s no way that’s all going to happen unless I have a detailed plan of what happens when, to whom, why, how and what their connection is to the opening scene – especially as many of those connections will be intentionally vague and possibly mis-leading.

For someone who, so far, has jumped straight into the middle of a story and fought his way out like a ferret in a sack, that’s a mightily daunting prospect.

Wish me luck dear readers. Of course, there’s the infamous First Novel to complete first and the tentative Second. I feel like Beethoven (the composer, not the dog).

So – how do you go about planning? Some of you must surely be planners and plotters who work it all out in advance. Any tips? Any advice? Halp!